Spoleto Announces Full 2023 Program

Spoleto Festival USA Orchestra; photo by Julia Lynn

Spoleto Festival USA today announced programming for the 47th season of America’s premier performing arts festival, taking place from May 26th to June 11, 2023. This 17-day celebration of international arts and culture will feature more than 100 events in venues throughout the city. Tickets, starting at $25, are now available for  purchase online at spoletousa.org or by calling 843-579-3100. 

Marking Spoleto Festival USA General Director and CEO Mena Mark Hanna’s sophomore Festival, the 2023 season underscores the unique essence of Spoleto Festival USA: an innovative, multidisciplinary performing arts festival.

“Spoleto has a rich legacy of drawing  multihyphenates—artists who are boundless inventors, eager to explore new expressions through collaboration  and experimentation,” says Hanna. “This season exemplifies reinvention. As the Festival hones its singular  position in the arts and culture landscape, the works produced and presented here electrify the status quo,  defying both convention and classification.”

Each spring, Spoleto transforms Charleston into a global epicenter for the performing arts, this season drawing artists and companies from more than 10 countries.

“Charleston is a port city—a collision of different cultures,” continues Hanna. “Spoleto epitomizes this idea, yet also adds to it a dynamism of artistic endeavors that are at  once timely and universal. Works reinvent age-old stories for this time and place—from a South African choreographer’s redux of The Rite of Spring to an American actor’s vivid adaptation of Homer’s Iliad.”  

The season opens with a concert celebrating the life and indelible impact of Spoleto’s late Director of  Chamber Music, Geoff Nuttall, who embodied Spoleto’s creative ethos. A founder of St. Lawrence String  Quartet, Nuttall championed musical discovery and ingenuity—promoting the works of today’s emerging  composers alongside giants of the canon. The gala concert features the Spoleto Festival USA Orchestra as well  as a guest roster of Nuttall’s close musical colleagues, including conductor Robert Spano, countertenor  Anthony Roth Costanzo, tenor Paul Groves, cellist Alisa Weilerstein, and pianist Stephen Prutsman, among  others. Following the performance on May 26, Spoleto will host a special benefit for the Geoff Nuttall Legacy  Fund, established to honor and advance Nuttall’s vision of radicalizing the classical canon. Interested parties  should contact 843.720.1114 to reserve benefit tickets. 

For seven performances (including a pre-Festival date on May 25), American actor and Tony Award winner  Denis O’Hare presents An Iliad, a work of “pure theater” (Time Out New York) at the Dock Street Theatre. In  this one-man performance, O’Hare, familiar from television’s The Good Wife and American Horror Story, shapeshifts into characters from Homer’s epic for a sweeping account of mankind’s addiction to chaos and  destruction. Spoleto’s theater program is augmented by two US premieres: Out of Chaos, from Australian  physical theater troupe Gravity & Other Myths (June 7–11), and The Book of Life (June 1–4), written and  performed by aural storyteller Odile Gakire Katese and based, in part, on letters penned by survivors and  perpetrators of Rwanda’s 1994 genocide.

Beginning May 27 and running four performances at the Charleston Gaillard Center, Samuel Barber’s Pulitzer  Prize-winning opera Vanessa receives a modern reimagining by director Rodula Gaitanou and designer  Cordelia Chisholm. With a libretto by Spoleto founder Gian Carlo Menotti, the dramatic opera first appeared in  Charleston in 1978—this stylized production marks the work’s first return to the Festival after 45 years. Austin  Opera’s Timothy Myers, who “relishes [Vanesas’s] magnificence and brings out its intriguing detail” (The  Telegraph) conducts the Festival Orchestra, Festival Chorus, and a stellar cast featuring a star-ascendant: American soprano Nicole Heaston in her Spoleto debut.  

With a longstanding mission to promote the work of emerging talent, Spoleto has catalyzed countless  breakthroughs for the world’s most promising artists. Countertenor Anthony Roth Costanzo, for instance, first  appeared at Spoleto in Dido and Aeneas in 2001, and today headlines productions with The Metropolitan  Opera, Lyric Opera of Chicago, and English National Opera, among other major houses. At the 2023 Festival, he  and trans cabaret star Justin Vivian Bond bring their acclaimed Only an Octave Apart (June 7–11), a brilliant  pop-meets-opera-meets-cabaret hybrid—a hilarious yet moving celebration of contrasts.  

The “miraculous” (Opera News) tenor Jamez McCorkle, too, was thrust into the international spotlight following  Spoleto performances: first as Lensky in Eugene Onegin (2017) and in the title role of the 2022 world premiere  opera Omar. This season, McCorkle performs A Poet’s Love (May 26–30), a Festival-commissioned staged  adaptation of Robert Schumann’s Dichterliebe, in which he accompanies himself through the German romantic  song cycle, surrounded by whimsical projections designed by Los Angeles-based artist Miwa Matreyek. Similarly, tap dancer and choreographer Ayodele Casel’s breakout work, While I Have the Floor—a 2017  Spoleto commission—propelled her choreographic career to critically acclaimed creations for New York City  Center and, recently, the revival of Funny Girl on Broadway. Over opening weekend in 2023, Casel presents  Chasing Magic (May 27–29), a work for six tap dancers that incorporates live musicians, including jazz pianist  Arturo O’Farrill.  

Dance programming, sponsored by BlueCross BlueShield of South Carolina, also includes the Scottish Ballet’s  arresting reinvention of The Crucible (June 2–4), choreographed by Helen Pickett to an original score by Peter  Salem, performed by the Spoleto Festival USA Orchestra, as well as Dada Masilo’s The Sacrifice (June 1–4). Inspired by Stravinsky’s The Rite of Spring, award-winning South African choreographer Masilo explores ritual  and sacrifice through a contemporary lens that speaks to Black identity and feminism.  

Drawing a cross-genre connection between dance and classical music, Stravinsky’s The Rite of Spring opens a  riveting three-concert showcase of the Spoleto Festival USA Orchestra—considered one of the world’s top young-professional orchestras. John Kennedy, Festival Resident Conductor and Director of Orchestral  Activities, leads the program on June 5, which also includes the US premiere of Philip Glass’s Symphony No.  14. For the program on June 7, Mei-Ann Chen, Music Director of the Chicago Sinfonietta, conducts Antonín  Dvořák’s New World Symphony alongside works by American composers Florence Price and Michael Abels.  On June 9, the Festival Orchestra performs Hector Berlioz’s Symphonie Fantastique under the baton of  Jonathon Heyward, Baltimore Symphony Orchestra Music Director Designate and a graduate of Charleston  County School of the Arts. Heyward’s program also includes Edvard Grieg’s piano concerto, featuring rising star soloist Micah McLaurin—another Charlestonian who performs internationally.  

Cornerstones of the Festival’s musical offerings return this year: twice daily Bank of America Chamber Music  concerts and three performances showcasing the Spoleto Festival USA Chorus. Led by Festival Director of  Choral Activities Joe Miller, the Festival Chorus performs dynamic works by composers ranging from Thomas  Tallis and George Frideric Handel to Caroline Shaw. In 11 programs both informed and inspired by the late  Geoff Nuttall, the Bank of America Chamber Music series features a roster of classical music luminaries, with  Nuttall’s musical colleagues sharing curatorial and hosting duties.  

Grammy Award-winning percussionist Quentin Baxter opens the 2023 Wells Fargo Jazz series on May 27, leading a quintet through compositions that infuse modern jazz with the Gullah traditions of his roots. The  following week, “powerhouse pianist” (The New York Times) Kris Davis assembles an all-star group including  three-time Grammy winner and NEA Jazz Master Terri Lyne Carrington, turntablist Val Jeanty, bassist Trevor  Dunn, and guitarist Julian Lage.  

Sponsored by Wells Fargo, Spoleto’s 2023 jazz programming delivers Menotti’s founding vision for the Festival:  “a unique and fertile ground for the young and a dignified home for the masters.” On June 6, Pulitzer Prize  winner Henry Threadgill brings his Zooid quintet to the College of Charleston Sottile Theatre. Likewise,  distinguished South African pianist Abdullah Ibrahim, a NEA Jazz Master, makes a rare stop in the United  States June 8, the same week improvisational wunderkind Immanuel Wilkins plays a five-concert residency at  the Queen Street Playhouse. One of the most promising jazz artists of his generation, Wilkins received critical  praise for his release, The 7th Hand— named among the best albums of 2022 by The New York Times and NPR. 

Queen Street Playhouse also sets the stage for Courtney Bryan, a pianist and composer who straddles the jazz  and classical spheres. During her “Jazz at the Playhouse” residency (June 1–3), Bryan performs in both solo and  quartet configurations, presenting Songs of Laughing, Smiling, and Crying, as well as music from her current  

project, Sounds of Freedom. Bryan’s compositions also feature during the Music in Time series (May 28 and  31), in which members of the Festival Orchestra perform Bryan’s Sanctum, in a brand-new arrangement for chamber orchestra. Highlighting the experimental and cutting edge, the Music in Time series—directed and  hosted by John Kennedy—also features Éliane Radigue’s Occam 17b, as well as works by Sarah Hennies, inti  figgis-vizueta, and Liza Lim.  

Seeking to expand Spoleto’s popular-music series “Front Row,” opening night, May 26, introduces British  futurist artist Ebony Bones, whose high-fashion concepts set the tone for a genre-defying performance  spanning Afrobeat, punk, disco, funk, and hip hop, backed by a 14-piece orchestra. Indie favorite Kishi Bashi performs under the live oaks of the College of Charleston Cistern Yard on June 3, as does 2022 NPR Tiny Desk  Contest winner Alisa Amador (June 7) and the platinum selling, Grammy Award-winning bluegrass/“newgrass” trio Nickel Creek (May 31, June 1), featuring celebrated mandolinist Chris Thile, guitarist Sean Watkins, and  fiddler Sara Watkins.  

The New Orleans-based, Grammy-nominated Tank and the Bangas caps the 2023 season at the Wells Fargo Festival Finale, June 11. Held at Firefly Distillery in North Charleston for the second year, the evening event  invites guests to pack picnic baskets, blankets, and chairs for a rollicking night blending funk, jazz, and hip hop—followed by a stunning display of fireworks to culminate the Festival.  

More information about each performance can be found here.

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