Bruce Hornsby & The Noisemakers to Play the Gaillard Center in September

Bruce Hornsby & The Noisemakers will perform in Charleston at the Gaillard Center on September 29th, 2021. Tickets go on sale Friday, June 18th at 11 am at gaillardcenter.org.

After taking the music world by surprise with his wide-ranging, critically acclaimed 2019 album Absolute Zero, the singer, songwriter, composer and bandleader returns with a follow-up that picks up where its predecessor left off. Non-Secure Connection features 10 new songs exploring a broad range of themes, from civil rights to computer hackers, mall salesmen to the Darwinian aspects of AAU basketball.

Hornsby plays piano, of course, but the songs on Non-Secure Connection also feature Hornsby’s electric sitar and Chamberlin, along with guitars, horns, strings and subtle samples from sources as varied as minimalist composer John Cage and Scottish rockers Franz Ferdinand. Like Absolute Zero, Non-Secure Connection also features a wealth of collaborators: singer James Mercer of The Shins and Broken Bells, singer and poet Jamila Woods, Living Colour guitarist Vernon Reid, Bon Iver leader Justin Vernon and the late Leon Russell, who appears thanks to a demo that he and Hornsby recorded together more than 25 years ago.

“I must be the only person around that has a record with James Mercer, Jamila Woods, Leon Russell and Vernon Reid,” Hornsby said. “It’s a great, disparate crowd.”

It’s the kind of unexpected roster that listeners have come to expect from Hornsby, who has built a distinctly unique career since his debut with The Range on their multi-platinum 1986 album The Way It Is. From there, Hornsby has steered his way through a stint on keyboards for the Grateful Dead, writing music for Spike Lee’s films, and albums exploring jazz, bluegrass, and contemporary classical music.

Tickets start at $35 (plus applicable fees). Gaillard Center Members receive presale access. To become a member, contact the Development Office at development@gaillardcenter.org or (843) 579-6468.

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